Newer Hollywood, Newer Quality, Newer Speed: On the Late Work of Tony Scott

Abstract

This article explores the late work of English director Tony Scott. Drawing on the theories of French urbanist Paul Virilio, the author analyzes how these films portray social classes and their relationship to speed. Scott’s films reflect the realities of the turn of the century – marked by increasing speed, the extensive use of “vision machines,” and the rise of digital surveillance technologies. These themes occupy a central place in Scott’s projects – both narratively and visually – defining his hyperactive, kinetic style.