Around the Issue of the Body in Feminist Narratives of Selected Pop Artists of the Young Generation
PDF

Keywords

muzykologia genderowa
feminizm
pop feminizm
kobieta w muzyce
muzyka popularna gender musicology
feminism
pop feminism
woman in music
popular music

How to Cite

Łyszko, P. (2021). Around the Issue of the Body in Feminist Narratives of Selected Pop Artists of the Young Generation. Annales Universitatis Paedagogicae Cracoviensis. Studia De Cultura, 13(2), 102–113. https://doi.org/10.24917/20837275.13.2.8 (Original work published December 20, 2021)

Abstract

Feminism in music is not a new concept, but we can observe a new wave of pop feminism in pop music, in a younger generation of female artists. They are open to discuss taboo topics, connected to carnality, sexuality, body positivity or feminism. The artists such as Miley Cyrus, Beyoncé, Pink, Avril Lavigne or Taylor Swift, with more courage are presenting in their creation, until now - taboo topics, rejected in mainstream music. They are not afraid of portraying topics, such as: sexual freedom, women’s rights, the objectification of women, men power and domination, social injustice, fat shaming, slut-shaming, or existence of unfair stereotypes. They are also advocating the legalization of homosexual relationships, race equality and human rights.

https://doi.org/10.24917/20837275.13.2.8
PDF

References

Alexandra Rae. “Girls To The Front: 25 Years of Bikini Kill, Riot Grrrl and the Enduring Legacy of Kathleen Hanna”. Kerrang. https://www.kerrang.com/features/25-yearsof-bikini-kill-riot-grrl/ (access: 25.09.2020).
View in Google Scholar

Banet-Weiser Sarah. 2018. Empowered: Popular Feminism and Popular Misogyny. Durham.9.
View in Google Scholar

Chutnik Sylwia. 2017. “‘Sorry za bazgroły’. Typografia i topografia kobiecych zinów”. Kultura Współczesna no. 4(97). 45–46.
View in Google Scholar

Gillett Katy. 2019. “Did the Spice Girls’ message of ‘girl power’ really have anything to do with female empowerment”. The National. https://www.thenational.ae/arts-culture/comment/did-the-spice-girls-message-of-girl-power-really-have-anythingto-do-with-female-empowerment-1.865593 (access: 25.09.2020).
View in Google Scholar

Greenblatt Stephen. 1995. Culture. In: Critical Terms for Literary Studies. Frank Lentricchia, Thomas McLaughlin (eds.). Chicago. 226.
View in Google Scholar

Hanna Kathleen. 1991. Riot Grrrl Manifesto. History is a weapon. https://www.historyisaweapon.com/defcon1/riotgrrrlmanifesto.html (access: 24.09.2020).
View in Google Scholar

Hunt El. 2019. “A Brief history of Riot Grrrl – the space-reclaiming 90s punk movement”. New Musical Express. https://www.nme.com/blogs/nme-blogs/brief-history-riot-grrrl-space-reclaiming-90s-punk-movement-2542166 (access: 24.09.2020).
View in Google Scholar

Hutchinson Kate. 2015. “Riot Grrrl: 10 of the Best”. The Guardian. https://www.theguardian.com/music/musicblog/2015/jan/28/riot-grrrl-10-of-the-best (access: 23.09.2020).
View in Google Scholar

Jeziński Marek. 2011. Muzyka popularna jako wehikuł ideologiczny. Toruń.
View in Google Scholar

Kaplan Ann. 2016. Rocking Around The Clock. Music Television, Postmodernism and Consumer Culture. New York.
View in Google Scholar

Kinder Marsha. 1988. “Teledyski a widz: telewizja, ideologia i marzenia senne”. Przekazy i Opinie. Monika Chabowska (transl.). No. 1–2. 90.
View in Google Scholar

Kawiorski Jan. 2002. Avril Lavigne: koniec ery Britney? https://kultura.onet.pl/muzyka/gatunki/pop/avril-lavigne-koniec-ery-britney/1c8fp3s (access: 26.09.2020).
View in Google Scholar

Łebkowska Anna. 2011. “Jak ucieleśnić ciało: o jednym z dylematów somatopoetyki”. Teksty Drugie no. 4. 11–27.
View in Google Scholar

Michalak Michał. 2011. Britney i Avril walczą o przełom. https://muzyka.interia.pl/pop/news-britney-i-avril-walcza-o-przelom,nId,1650478 (access: 25.09.2020).
View in Google Scholar

Ogonowska Agnieszka. 2021. „Media ucieleśnione. (Nowe) konteksty badawcze w relacjach media – ciało”. Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura no. 13(1). 36–54.
View in Google Scholar

Pacheco Sunitra. 2013. “Miley Cyrus shocks fans with her raunchy performance at MTV Video Music Awards 2013”. Financial Express. https://www.financialexpress.com/archive/miley-cyrus-shocks-fans-with-her-raunchy-performance-at-mtv-videomusic-awards–2013/1160800/ (access: 25.09.2020).
View in Google Scholar

Sherrod Lonnie R. 2006. Youth activism: An International Encyclopedia. Vol. 2 K-Z. London. 539.
View in Google Scholar

Shusterman Richard. 2005. “Somaestetyka”. Sebastian Stankiewicz (transl.). Biuletyn Polskiego Towarzystwa Estetycznego no. 7(1). 1–2.
View in Google Scholar

Skowronek Bogusław. 2013. Mediolingwistyka. Wprowadzenie. Kraków.
View in Google Scholar

Stachówna Grażyna. 1987. “O wideoklipach”. Powiększenie no. 3–4. 172.
View in Google Scholar

Stevens Jenny. 2016. “How the Spice Girls ripped ‘Girl Power’ from Its Radical Roots”. Vice. https://www.vice.com/en/article/bn3vq5/girl-power-spice-girls-jenny-stevens-geri-horner (access: 25.09.2020).
View in Google Scholar

Sztompka Piotr. 2005. Socjologia wizualna. Fotografia jako metoda badawcza. Warszawa.
View in Google Scholar

Szpunar Magdalena. 2016. Kultura cyfrowego narcyzmu. Kraków.
View in Google Scholar

Szymańska Karolina. 2011. Wpływ feminizmu na muzykologię – women’s studies, gender i kobiety w muzyce. In: Uniwersyteckie gry – czy płeć ma znaczenie? Wybrane dyskursy społeczno-edukacyjne. Monika Grochalska, Wiktor Sawczuk (eds.). Toruń. 164–171.
View in Google Scholar

“Time 100 Music Stars Prove This Was the Year of Pop Feminism”. The Time. https://time.com/ 74861/pop-star-feminism-beyonce-miley-cyrus-pharrell/ (access: 25.09.2020).
View in Google Scholar

Yarrow Allison. 2018. “How the Riot Grrrl Movement Sold the World on Girl Power”. The Daily Beast. https://www.thedailybeast.com/how-the-riot-grrrl-movement-soldthe-world-on-girl-power (access: 25.09.2020).
View in Google Scholar

Videography:
View in Google Scholar

Avril Lavigne. 2019. Dumb Blonde. https://youtu.be/wC022MwPHKI (access: 29.09.2020).
View in Google Scholar

Blues Pills. 2020. Proud Woman. https://youtu.be/HekZW4Pbg_I (access: 28.09.2020).
View in Google Scholar

Miley Cyrus. 2020. Mother’s Daughter. https://youtu.be/7T2RonyJ_Ts (access: 28.09.2020).
View in Google Scholar

Taylor Swift. 2020. The Man. https://youtu.be/AqAJLh9wuZ0 (access: 28.09.2020).
View in Google Scholar

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

Downloads

Download data is not yet available.