Abstract
The author of this article seeks to verify the thesis that proclaims that metal culture can be classified as counterculture. The author supported her arguments with research she conducted in Poland in 2018-2020. The main research questions concerned controversy in metal music and manifestations of social discord, as well as other issues that might constitute the recognition of metal culture as a counterculture. Based on the research, a redefinition of the term was proposed to make it more useful today.
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