Elizje i iluzje queerowości. Co poświęcamy, odwołując się do masowej publiczności?
PDF (English)

Słowa kluczowe

queer
comics
comic-book movies
superheroes
Marvel
DC
Wonder Woman
Black Panther
film adaptations
homosexuality queer
komiksy
filmy komiksowe
superbohaterowie
Marvel
DC
Wonder Woman
Czarna Pantera
adaptacje filmowe
homoseksualizm

Jak cytować

Tuoriniemi, F. (2021). Elizje i iluzje queerowości. Co poświęcamy, odwołując się do masowej publiczności?. Annales Universitatis Paedagogicae Cracoviensis | Studia De Cultura, 13(3), 6–21. https://doi.org/10.24917/20837275.13.3.1

Abstrakt

Niniejszy artykuł bada wpływ poświęcania queerowości w trakcie procesu adaptacji komiksu w produkcji filmowej skierowanej do szerszej publiczności - w szczególności elizję (pominięcie) queerowości w Czarnej panterze Ryana Cooglera (2018) i iluzje queerowości w Wonder Woman (2017) Patty Jenkins. Różnica między elizją (pominięciem) a iluzją jest kluczowa i dlatego stosuję w odniesieniu do nich różne podejścia analityczne. Analiza Czarnej Pantery jest zakorzeniona w procesie produkcji, unaocznia, w jaki sposób / dlaczego queer jest wymazywany przez porównanie do wyraźnej queerowości komiksów Ta-Nehisi Coates i Roxanne Gay. Fragment o Wonder Woman skupia się na dogłębnej analizie tekstu, zarówno komiksu Grega Rucki, jak i filmu Jenkinsa, aby pokazać, jak queerowe iluzje funkcjonują w różnych mediach. Pomimo że filmy te zostały okrzyknięte progresywnymi, niniejszy artykuł wyjaśnia, w jaki sposób motywacje do ukrywania queer w produkcjach skierowanych do szerszej publiczności są zakorzenione w homofobii i w dążeniu do zysku.

https://doi.org/10.24917/20837275.13.3.1
PDF (English)

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