Keywords
błękitna humanistyka
przyrodnicze filmy dokumentalne
cyfrowe bazy danych
technoekologia
technoekologiczne modele badań
edukacja ekologiczna wild blue media
blue humanities
nature documentary
digital database
technoecology
technoecological model of research
ecological education
How to Cite
Abstract
The article is a proposal to apply the elements of Melody Jue’s wild blue media theory to analyze documentary movie My Octopus Teacher (2020), as well as in the conceptual work on the artistic-research project of the digital Blue Humanities Archive, which I develop in cooperation with the interdisciplinary artist, Justyna Górowska. In the first part of the text, the theory of media specific to aquatic environments helps to show the changing convention of documentaries about the underwater world of nature. In the second part, I presenta project of a database based on this theory. The aim of the archive is to collect, conceptually and artistically develop various materials related to the representation of the disappearing biodiversity of the underwater world. The theory of wild blue media is also situated in the landscape of the non-anthropocentric humanities and the blue humanities.
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