Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura

A Word from the Editor-in-Chief

Agnieszka Ogonowska

3-4

PDF (Język Polski)

Around Contemporary Discourses and Genres of Popular Music. A Word from the Subject Editors

Karolina Karbownik, Jakub Kosek

5-8

PDF (Język Polski)

Emotions in Art Embodied: Fear and “Body of Russia” in the Music Video "Strashno" by Russian Group Shortparis

Dorota Jewdokimow

11-28

PDF (Język Polski)

“There Is No Planet B.”: Cli-fi in King Gizzard & the Lizard Wizard’s Metal Work

Sławomir Kuźnicki

29-43

PDF (Język Polski)

Beyond the Song, Beyond the Matter… Formal Solutions in Selected Examples of Polish Post-Metal Music

Jakub Kasperski

45-65

PDF (Język Polski)

Absentee Body. Performative Absence

Marcin Oleś

67-81

PDF (Język Polski)

Sounds of the Abyss – A Musical Journey in Search of “Moby Dick.” The Influence of Herman Melville’s Novel in Mastodon’s Album "Leviathan"

Łukasz Stec

83-102

PDF (Język Polski)

Technotransembodiment and Ahumanist Disidentification in Arca and Yeule’s Somatic Projects

Olivier Nowakowski

103-121

PDF (Język Polski)

The Sacred and the Profane in Behemoth’s Lyrics: An Analysis Using Algirdas Julien Greimas’ Semiotic Square

Aleksander Wojciechowski

123-139

PDF (Język Polski)

The Evolution of the Body in the Digital Age: Posthumanism in Tool’s Music Videos

Oliwia Pruś

141-150

PDF (Język Polski)

Non-Musical Features of Deathcore in its Early Stages (up to 2007)

Aleksander Brunka

151-166

PDF (Język Polski)

The Unbearable Heaviness of Stones: Self-Mutilation as Performative Technique Based on the Band Amenra

Paweł Regiewicz

167-184

PDF (Język Polski)

Sick of Sound, or of the Passion for Writing about Music. Review of the book Zarażeni dźwiękiem. Rynek muzyczny w czasach sztucznej inteligencji [Infected by Sound: The Music Market in the Age of Artificial Intelligence] by Stanisław Trzciński, PWN, Warsa

Magdalena Parus-Jankowska

187-192

PDF (Język Polski)

Current Issue

From the Editorial Office

A Word from the Editor-in-Chief

Around Contemporary Discourses and Genres of Popular Music. A Word from the Subject Editors

Discourses and studies

Emotions in Art Embodied: Fear and “Body of Russia” in the Music Video "Strashno" by Russian Group Shortparis

“There Is No Planet B.”: Cli-fi in King Gizzard & the Lizard Wizard’s Metal Work

Beyond the Song, Beyond the Matter… Formal Solutions in Selected Examples of Polish Post-Metal Music

Absentee Body. Performative Absence

Sounds of the Abyss – A Musical Journey in Search of “Moby Dick.” The Influence of Herman Melville’s Novel in Mastodon’s Album "Leviathan"

Technotransembodiment and Ahumanist Disidentification in Arca and Yeule’s Somatic Projects

The Sacred and the Profane in Behemoth’s Lyrics: An Analysis Using Algirdas Julien Greimas’ Semiotic Square

The Evolution of the Body in the Digital Age: Posthumanism in Tool’s Music Videos

Non-Musical Features of Deathcore in its Early Stages (up to 2007)

The Unbearable Heaviness of Stones: Self-Mutilation as Performative Technique Based on the Band Amenra

Varia

Sick of Sound, or of the Passion for Writing about Music. Review of the book Zarażeni dźwiękiem. Rynek muzyczny w czasach sztucznej inteligencji [Infected by Sound: The Music Market in the Age of Artificial Intelligence] by Stanisław Trzciński, PWN, Warsa