Abstrakt
Celem artykułu jest krytyczny przegląd pierwszych bluesowych wydawnictw nutowych oraz nagrań w perspektywie historycznej, stylistyczno-muzycznej, medialnej oraz rasowo-klasowej. Przegląd ten ma jednocześnie na celu odróżnienie ragtime’owych i wodewilowych adaptacji i stylizacji bluesa od jego pierwotnej, ludowej postaci. Potrzeba tego oddzielenia i uporządkowania wynika z przeświadczenia o celowym, merkantylnym nadużywaniu słowa „blues” w tytułach utworów różnych gatunków muzyki popularnej aż do lat 20. XX wieku.
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