Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura

A Word from the Editor-in-Chief

Agnieszka Ogonowska

3-3

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Introduction from the Editors

Jakub Kosek, Andrzej Mądro

4-5

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War rhetoric and the expression of aggression in the works of Metallica (from 1983 to 1991)

Agnieszka Draus

7-18

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Bruce Dickinson sings the song “Senjutsu”

Paweł Tański

19-30

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Genre hybridization, polystylism, and glocalization in the music of Jinjer

Andrzej Mądro

31-44

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After the death of an idol: From thanatic space to media necrography

Jakub Kosek

45-57

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Biblical language in the songs of the soul metal band Hunter

Anna Daszewska

59-73

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Intro and outro functions in the context of Thomas Börje Forsberg’s albums

Bartosz Małczyński

75-83

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The Big Three of Polish Metal: TSA, Kat and Turbo in the music press of the Polish People’s Republic

Dariusz Baran

85-101

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The gothic mélange of spleen and yé‑yé music in the intermedia project "Les Fleurs du Mal" by Therion

Ewelina Sochacka

103-115

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The relation between American avant‑garde metal and Colin Marston’s Menegroth the Thousand Caves Studio

Bartłomiej Zeidler

117-128

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„Tomorrow is cancelled”. A characterisation of the music and chosen psychological aspects of depressive suicidal black metal

Karol Gospodarek

129-137

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Report on the national scientific conference „Blues‑rock. Media – sceny – rezonanse”
20–21.04.2023, Nicolaus Copernicus University in Toruń

Aya Al Azab‑Ruszowska

139-142

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Report on the national scientific conference „Kultury muzyki popularnej I: Tożsamości” [„Cultures of popular music I: Identities”]
28–29.09.2023, The Pedagogical University of Krakow

Dawid Kaszuba

143-145

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Current Issue

From the Editorial Office

A Word from the Editor-in-Chief

Introduction from the Editors

Discourses and studies

War rhetoric and the expression of aggression in the works of Metallica (from 1983 to 1991)

Bruce Dickinson sings the song “Senjutsu”

Genre hybridization, polystylism, and glocalization in the music of Jinjer

After the death of an idol: From thanatic space to media necrography

Biblical language in the songs of the soul metal band Hunter

Intro and outro functions in the context of Thomas Börje Forsberg’s albums

The Big Three of Polish Metal: TSA, Kat and Turbo in the music press of the Polish People’s Republic

The gothic mélange of spleen and yé‑yé music in the intermedia project "Les Fleurs du Mal" by Therion

The relation between American avant‑garde metal and Colin Marston’s Menegroth the Thousand Caves Studio

„Tomorrow is cancelled”. A characterisation of the music and chosen psychological aspects of depressive suicidal black metal

Reviews, reports, interviews

Report on the national scientific conference „Blues‑rock. Media – sceny – rezonanse”
20–21.04.2023, Nicolaus Copernicus University in Toruń

Report on the national scientific conference „Kultury muzyki popularnej I: Tożsamości” [„Cultures of popular music I: Identities”]
28–29.09.2023, The Pedagogical University of Krakow