Vol. 15 No. 4 (2023)

A Word from the Editor-in-Chief

Agnieszka Ogonowska

3-3

PDF (Język Polski)

Introduction from the Editors

Jakub Kosek, Andrzej Mądro

4-5

PDF (Język Polski)

War rhetoric and the expression of aggression in the works of Metallica (from 1983 to 1991)

Agnieszka Draus

7-18

PDF (Język Polski)

Bruce Dickinson sings the song “Senjutsu”

Paweł Tański

19-30

PDF (Język Polski)

Genre hybridization, polystylism, and glocalization in the music of Jinjer

Andrzej Mądro

31-44

PDF (Język Polski)

After the death of an idol: From thanatic space to media necrography

Jakub Kosek

45-57

PDF (Język Polski)

Biblical language in the songs of the soul metal band Hunter

Anna Daszewska

59-73

PDF

Intro and outro functions in the context of Thomas Börje Forsberg’s albums

Bartosz Małczyński

75-83

PDF (Język Polski)

The Big Three of Polish Metal: TSA, Kat and Turbo in the music press of the Polish People’s Republic

Dariusz Baran

85-101

PDF (Język Polski)

The gothic mélange of spleen and yé‑yé music in the intermedia project "Les Fleurs du Mal" by Therion

Ewelina Sochacka

103-115

PDF (Język Polski)

The relation between American avant‑garde metal and Colin Marston’s Menegroth the Thousand Caves Studio

Bartłomiej Zeidler

117-128

PDF (Język Polski)

„Tomorrow is cancelled”. A characterisation of the music and chosen psychological aspects of depressive suicidal black metal

Karol Gospodarek

129-137

PDF (Język Polski)

Report on the national scientific conference „Blues‑rock. Media – sceny – rezonanse”
20–21.04.2023, Nicolaus Copernicus University in Toruń

Aya Al Azab‑Ruszowska

139-142

PDF (Język Polski)

Report on the national scientific conference „Kultury muzyki popularnej I: Tożsamości” [„Cultures of popular music I: Identities”]
28–29.09.2023, The Pedagogical University of Krakow

Dawid Kaszuba

143-145

PDF (Język Polski)

From the Editorial Office

A Word from the Editor-in-Chief

Introduction from the Editors

Discourses and studies

War rhetoric and the expression of aggression in the works of Metallica (from 1983 to 1991)

Bruce Dickinson sings the song “Senjutsu”

Genre hybridization, polystylism, and glocalization in the music of Jinjer

After the death of an idol: From thanatic space to media necrography

Biblical language in the songs of the soul metal band Hunter

Intro and outro functions in the context of Thomas Börje Forsberg’s albums

The Big Three of Polish Metal: TSA, Kat and Turbo in the music press of the Polish People’s Republic

The gothic mélange of spleen and yé‑yé music in the intermedia project "Les Fleurs du Mal" by Therion

The relation between American avant‑garde metal and Colin Marston’s Menegroth the Thousand Caves Studio

„Tomorrow is cancelled”. A characterisation of the music and chosen psychological aspects of depressive suicidal black metal

Reviews, reports, interviews

Report on the national scientific conference „Blues‑rock. Media – sceny – rezonanse”
20–21.04.2023, Nicolaus Copernicus University in Toruń

Report on the national scientific conference „Kultury muzyki popularnej I: Tożsamości” [„Cultures of popular music I: Identities”]
28–29.09.2023, The Pedagogical University of Krakow